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Modal Counterpoint : Renaissance Style
An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music.The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles.With stylistically diverse examples including not only motets and mass movements but also French chansons, German chorale settings, English canzonets, Italian madrigals, and Spanish organ hymns, villancicos, and ricercars, the book gives students a "real-life" feel for the subject.It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically.The concluding chapters provide the formal and conceptual building blocks for longer pieces and encourage students to understand analysis and composition as complementary activities.By the end of the book, students are writing real compositions, not just drill exercises.The text also features progressively graded exercises, historical asides that explain important topics and issues of the period, and some notes in the preface on using the book in the classroom.Combining the historical accuracy of "style-oriented" texts with the more systematic species counterpoint approach, this book offers a unique alternative to other methods. Now in its second edition, Modal Counterpoint, Renaissance Style integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
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Counterpoint
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Modern Academic Counterpoint
Modern Academic Counterpoint
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Counterpoint : A Memoir of Bach and Mourning
As his mother was dying, Philip Kennicott began to listen to the music of Bach obsessively.It was the only music that didn’t seem trivial or irrelevant, and it enabled him to both experience her death and remove himself from it.For him, Bach’s music held the elements of both joy and despair, life and its inevitable end.He spent the next five years trying to learn one of the composer’s greatest keyboard masterpieces, the Goldberg Variations.In Counterpoint, he recounts his efforts to rise to the challenge and to fight through his grief by coming to terms with his memories of a difficult, complicated childhood. He describes the joys of mastering some of the piano pieces, the frustrations that plague his understanding of others, the technical challenges they pose, and the surpassing beauty of the melodies, harmonies and counterpoint that distinguish them.While exploring Bach’s compositions he sketches a cultural history of playing the piano in the twentieth century. And he raises two questions that become increasingly interrelated, not unlike a contrapuntal passage in one of the variations itself: What does it mean to know a piece of music?What does it mean to know another human being?
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Counterpoint in Composition : The Study of Voice Leading
-- Stanley Persky, City University of New York
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Counterpoint Nashville Man 1975 UK 7" vinyl STAT32
COUNTERPOINT Nashville Man (1975 UK injection moulded 7 vinyl single also including Juke Box Rock State company die cut paper sleeve STAT32)
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Ralph MacDonald Counterpoint 1979 USA vinyl LP 2229
RALPH MACDONALD Counterpoint (1979 US promotional 6-track LP with custom black on white labels & Promotional Copy Only print. Includes the six minute tropical Disco Breaks action of Discolypso! The picture sleeve has a gold promo stamp on the back & no deletion cuts complete with the Marlin die-cut inner. The cover shows just a little corner creasing & scuffing & the vinyl is Excellent with light play only) I Need Someone 7:44You Are In Love 5:40Tell The Truth 4:52Discolypso 6:20Always Something Missing 4:34East Dry River 6:59
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Harmony, Counterpoint, Partimento : A New Method Inspired by Old Masters
A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios.A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises.Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination.Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
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